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HALO STARLING
∙ ∙ ∙ ∙ ∙ ∙ ∙
ABOUT
Artist Statement
Bio
CV
Community
Links & Contact
∙ ∙ ∙ ∙ ∙ ∙ ∙
RECENT
ARIADNE
YRIA
Fairy Prince
Portent Soul
TestoLupron
∙ ∙ ∙ ∙ ∙ ∙ ∙
FILM
PONY
V Day After
Julia Child
SUNRIDER
Hold
∙ ∙ ∙ ∙ ∙ ∙ ∙
VIDEO
BE NOT AFRAID
POLLINATION
YLIGML
aph·ro·dis·i·ac
Fruitr
∙ ∙ ∙ ∙ ∙ ∙ ∙
LIVE ART
Planet Femme
SENSE
Home Depot
Karan Devine
Black-Eyed Susan
∙ ∙ ∙ ∙ ∙ ∙ ∙
WORLDBUILDING
Sagewell Archives
Planet Femme
∙ ∙ ∙ ∙ ∙ ∙ ∙
CURATION
WINDOWS/BLINDS
PONY and Friends
Positive Futures
AUTO ROBO ECO
ASYLUM
Under the Seams
∙ ∙ ∙ ∙ ∙ ∙ ∙
CONFERENCES
CAA 112th
∙ ∙ ∙ ∙ ∙ ∙ ∙
PRESS
2024
ARTFORUM
2023
Deadline
2022
Expanding the Parameters
2021
Deadline
2020
PGN (for PONY)
PGN (Profile)
cinéSPEAK
2017
GO Magazine
2015
Adult Mag
2014
The Brooklyn Rail

A series of ecological performances and video projects, 2013–2014.

Otter Sleeps
, 2014.

A series of ecological performances and video projects, 2013–2014.

Otter Sleeps
, 2014.

Otter Sleeps
, projected as part of a video night curated by Andrea McGinty at BHQFU in 2015.

Charon's Obol (Yuri Yuri)
, 2013.

This video was projected in 2014 at Patarei Prison in Tallinn, Estonia, as part of The Penitentiary: Battery Project.

Charon's obol is an allusive term for the coin placed in or on the mouth of a dead person before burial. The custom is primarily associated with the ancient Greeks and Romans, though it is also found in the ancient Near East.

Charon's Obol (Yuri Yuri)
, 2013.

This video was projected in 2014 at Patarei Prison in Tallinn, Estonia, as part of The Penitentiary: Battery Project.

Charon's obol is an allusive term for the coin placed in or on the mouth of a dead person before burial. The custom is primarily associated with the ancient Greeks and Romans, though it is also found in the ancient Near East.

Charon's Obol (Yuri Yuri) installed at Patarei Penitentiary as part of "The Penitentiary: Battery Project" in 2014.

Process shot from Charon's Obol (Yuri Yuri), 2013.

I've Fallen And I Can't Get Up
, 2014.

Exhibited at Silvershed Open Studio, March 2014.

I've Fallen And I Can't Get Up
, 2014.

Exhibited at Silvershed Open Studio, March 2014.

Event link here.

December 29, 1986
, 2013.

December 29, 1986
, 2013.

Nina Pneuma
, 2013.

Nina Pneuma
, 2013.


“To Search” was a durational performance I conducted on Saturday, August 3rd, 2013, at NOWHERE, a storefront gallery in Antonito, CO. Immediately prior to the performance, I collected rocks from the earth around  NOWHERE, and, over the course of two hours and 13 minutes, proceeded to arrange the rocks to spell the phrase, “TO SEARCH IN THE ENIGMA OF HOURS FOR THAT TRULY HIDDEN SEED,” excerpted from a tablet in Franck André Jamme’s *New Exercises ’08*: “TO SEARCH IN THE ENIGMA OF HOURS FOR THE TRULY HIDDEN SEED THAT NO SOONER PULVERIZED BECOMES THE BREAD OF THOSE WHO EAT NOT TO PERISH.” After each word was composed it was immediately erased, the rocks returning to the pile. Behind the action was an hour-long projection of found images that I had composed, featuring a range of imagery—meat in an abattoir, gloved hands gluing a vase back together, a black and white performance of two hands relating, a diagram of the entrance and exit wound of a bullet, diagrams of the eye, ear and tear duct, the braces-filled mouth of a smiling teen, dressed-up people dancing, and so on. Playing on loop during the performance was a specially composed soundscape by Taja Cheek, featuring crickets, crackling fire, looped piano, waves, wordless vocals, bird calls, guitar riffs and rain. The sounds swell up and fade out over one another, until all becomes quiet. During the performance the loop occurred just over 13 times. After the performance was over, the rocks were returned to the Antonito earth.


"To Search" is a meditation on transience and effort, and on the conscience experience of emerging from and being called back into the Source. As each word is fully formed and erased, it becomes difficult to recall the sentence as a whole; one considers whether this matters, whether actions should be taken in sequence, as a kind of story, or as indelible moments in an utterly transient landscape. Poignantly, NOWHERE’s storefront location where she conducted the performance closed a few weeks later. This performance was documented in EMERGENCY INDEX 2014.


Special thanks to Taja Cheek, Laurelin Kruse, Ronald Rael, The Museum of Nowhere, Kochia, The Hat-Tippin’ Cowboy, and Paul’s Special at G6.


TO SEARCH
, 2013.

TO SEARCH
, 2013.

To Search
[documentation of performance], 2013.

NOWHERE Gallery on Main Street in Antonito, CO, 2013.

TO SEARCH 
in EMERGENCY INDEX 2013.

A series of ecological performances and video projects, 2013–2014.

Otter Sleeps
, 2014.

Otter Sleeps
, projected as part of a video night curated by Andrea McGinty at BHQFU in 2015.

Charon's Obol (Yuri Yuri)
, 2013.

This video was projected in 2014 at Patarei Prison in Tallinn, Estonia, as part of The Penitentiary: Battery Project.

Charon's obol is an allusive term for the coin placed in or on the mouth of a dead person before burial. The custom is primarily associated with the ancient Greeks and Romans, though it is also found in the ancient Near East.

Charon's Obol (Yuri Yuri) installed at Patarei Penitentiary as part of "The Penitentiary: Battery Project" in 2014.

Process shot from Charon's Obol (Yuri Yuri), 2013.

I've Fallen And I Can't Get Up
, 2014.

Exhibited at Silvershed Open Studio, March 2014.

Event link here.

December 29, 1986
, 2013.

Nina Pneuma
, 2013.


“To Search” was a durational performance I conducted on Saturday, August 3rd, 2013, at NOWHERE, a storefront gallery in Antonito, CO. Immediately prior to the performance, I collected rocks from the earth around  NOWHERE, and, over the course of two hours and 13 minutes, proceeded to arrange the rocks to spell the phrase, “TO SEARCH IN THE ENIGMA OF HOURS FOR THAT TRULY HIDDEN SEED,” excerpted from a tablet in Franck André Jamme’s *New Exercises ’08*: “TO SEARCH IN THE ENIGMA OF HOURS FOR THE TRULY HIDDEN SEED THAT NO SOONER PULVERIZED BECOMES THE BREAD OF THOSE WHO EAT NOT TO PERISH.” After each word was composed it was immediately erased, the rocks returning to the pile. Behind the action was an hour-long projection of found images that I had composed, featuring a range of imagery—meat in an abattoir, gloved hands gluing a vase back together, a black and white performance of two hands relating, a diagram of the entrance and exit wound of a bullet, diagrams of the eye, ear and tear duct, the braces-filled mouth of a smiling teen, dressed-up people dancing, and so on. Playing on loop during the performance was a specially composed soundscape by Taja Cheek, featuring crickets, crackling fire, looped piano, waves, wordless vocals, bird calls, guitar riffs and rain. The sounds swell up and fade out over one another, until all becomes quiet. During the performance the loop occurred just over 13 times. After the performance was over, the rocks were returned to the Antonito earth.


"To Search" is a meditation on transience and effort, and on the conscience experience of emerging from and being called back into the Source. As each word is fully formed and erased, it becomes difficult to recall the sentence as a whole; one considers whether this matters, whether actions should be taken in sequence, as a kind of story, or as indelible moments in an utterly transient landscape. Poignantly, NOWHERE’s storefront location where she conducted the performance closed a few weeks later. This performance was documented in EMERGENCY INDEX 2014.


Special thanks to Taja Cheek, Laurelin Kruse, Ronald Rael, The Museum of Nowhere, Kochia, The Hat-Tippin’ Cowboy, and Paul’s Special at G6.


TO SEARCH
, 2013.

To Search
[documentation of performance], 2013.

NOWHERE Gallery on Main Street in Antonito, CO, 2013.

TO SEARCH 
in EMERGENCY INDEX 2013.