• HALO STARLING
  • ∙ ∙ ∙ ∙ ∙ ∙ ∙
  • ABOUT
  • Artist Statement
  • Bio
  • CV
  • Community
  • Links & Contact
  • ∙ ∙ ∙ ∙ ∙ ∙ ∙
  • RECENT PROJECTS
  • ARIADNE (2025)
  • YRIA (2025)
  • The Madness of Dionysus (2025)
  • Fairy Prince (2025)
  • Portent Soul (2024–)
  • TestoLupron (2024–)
  • ∙ ∙ ∙ ∙ ∙ ∙ ∙
  • FILM
  • PONY (2022)
  • Valentine's Day After (2020)
  • The French Chef with Julia Child: Abortifacient Herbs (2019)
  • SUNRIDER (2018)
  • Hold (2018)
  • ∙ ∙ ∙ ∙ ∙ ∙ ∙
  • VIDEO
  • Your Love is Giving Me Life (2019)
  • BE NOT AFRAID (2021)
  • One Made of Light (2020)
  • aph·ro·dis·i·ac (2019)
  • POLLINATION (2020)
  • Fruitr (2019)
  • Wait (2017)
  • Eco Vignettes (2013)
  • Vagina Dentata (2012)
  • ∙ ∙ ∙ ∙ ∙ ∙ ∙
  • LIVE ART
  • Planet Femme LIVE (2017)
  • SENSE (2016)
  • Pleasure Scores (2011–2014)
  • ∙ ∙ ∙ ∙ ∙ ∙ ∙
  • LIVE PERSONAE
  • Karan Devine (2014–2015)
  • Home Depot (2015–2016)
  • TORMENTRA (2017)
  • Crystal Mermaid (2014)
  • Black-Eyed Susan (2014–2015)
  • Evangeline Dupree (2014)
  • Cleo the Past Teller (2014–2015)
  • Cynthia Reid (2014)
  • Polyperformance (2014)
  • ∙ ∙ ∙ ∙ ∙ ∙ ∙
  • WORLDBUILDING
  • Planet Femme (2016–2018)
  • The Sagewell Archives (2019)
  • ∙ ∙ ∙ ∙ ∙ ∙ ∙
  • CURATION
  • WINDOWS AND BLINDS (2023)
  • PONY and Friends (2023)
  • Positive Futures (2019)
  • AUTO ROBO ECO (2017)
  • ASYLUM (2015)
  • UNDER THE SEAMS RUNS THE PAIN (2014)
  • This Literally Happened (2014)
  • ∙ ∙ ∙ ∙ ∙ ∙ ∙
  • FEATURED
  • 2025
  • ONE Archives at the USC Libraries
  • Curate LA
  • 2024
  • USC Libraries
  • USC Cinematic Arts - iMappening 2024
  • ARTFORUM
  • CAA 112th Annual Conference
  • MA+P Stories - WINDOWS AND BLINDS
  • 2023
  • Deadline
  • 2am Photography
  • 2022
  • Expanding the Parameters of Feminist Artivism
  • Trans Cinematic Universe Podcast
  • World of Rex Podcast
  • Queer Forty
  • GAY.IT
  • LA Weekly
  • The Hollywood Times
  • Out News Global
  • TRANSlations (Panel)
  • Women's Screenwriters Workshop (Panel)
  • 2021
  • Final Draft Blog
  • TFMA News
  • Deadline
  • 2020
  • PGN - Film
  • PGN - Portraits
  • cinéSPEAK
  • Women and Hollywood
  • Summer Fall
  • Global Shorts
  • Temple News
  • 2019
  • Business Courier
  • Vox Populi (Exhibition)
  • Vox Populi (Screening)
  • 2017
  • GO Magazine
  • 2016
  • purple ART
  • 2015
  • PACKET
  • Adult Mag
  • KCHUNG
  • Sex-Ed @BHQFU
  • 2014
  • The Brooklyn Rail
  • Nocountrycountry on bel-air radio
  • Labor Day Lectures
  • 2013
  • artcritical
  • NOWHERE
HALO STARLING
∙ ∙ ∙ ∙ ∙ ∙ ∙
ABOUT
Artist Statement
Bio
CV
Community
Links & Contact
∙ ∙ ∙ ∙ ∙ ∙ ∙
RECENT PROJECTS
ARIADNE (2025)
YRIA (2025)
The Madness of Dionysus (2025)
Fairy Prince (2025)
Portent Soul (2024–)
TestoLupron (2024–)
∙ ∙ ∙ ∙ ∙ ∙ ∙
FILM
PONY (2022)
Valentine's Day After (2020)
The French Chef with Julia Child: Abortifacient Herbs (2019)
SUNRIDER (2018)
Hold (2018)
∙ ∙ ∙ ∙ ∙ ∙ ∙
VIDEO
BE NOT AFRAID (2021)
POLLINATION (2020)
One Made of Light (2020)
Your Love is Giving Me Life (2019)
aph·ro·dis·i·ac (2019)
Fruitr (2019)
Wait (2017)
Eco Vignettes (2013)
Vagina Dentata (2012)
∙ ∙ ∙ ∙ ∙ ∙ ∙
LIVE ART
Planet Femme LIVE (2017)
SENSE (2016)
Pleasure Scores (2011–2014)
∙ ∙ ∙ ∙ ∙ ∙ ∙
LIVE PERSONAE
TORMENTRA (2017)
Home Depot (2015–2016)
Karan Devine (2014–2015)
Cleo the Past Teller (2014–2015)
Black-Eyed Susan (2014–2015)
Crystal Mermaid (2014)
Evangeline Dupree (2014)
Cynthia Reid (2014)
Polyperformance (2014)
∙ ∙ ∙ ∙ ∙ ∙ ∙
WORLDBUILDING
The Sagewell Archives (2019)
Planet Femme (2016–2018)
∙ ∙ ∙ ∙ ∙ ∙ ∙
CURATION
WINDOWS AND BLINDS (2023)
PONY and Friends (2023)
Positive Futures (2019)
AUTO ROBO ECO (2017)
ASYLUM (2015)
UNDER THE SEAMS RUNS THE PAIN (2014)
This Literally Happened (2014)
∙ ∙ ∙ ∙ ∙ ∙ ∙
FEATURED
2025
ONE Archives at the USC Libraries
Curate LA
2024
USC Libraries
USC Cinematic Arts - iMappening 2024
ARTFORUM
CAA 112th Annual Conference
MA+P Stories - WINDOWS AND BLINDS
2023
Deadline
2am Photography
2022
Expanding the Parameters of Feminist Artivism
Trans Cinematic Universe Podcast
World of Rex Podcast
Queer Forty
GAY.IT
LA Weekly
The Hollywood Times
Out News Global
TRANSlations (Panel)
Women's Screenwriters Workshop (Panel)
2021
Final Draft Blog
TFMA News
Deadline
2020
PGN - Film
PGN - Portraits
cinéSPEAK
Women and Hollywood
Summer Fall
Global Shorts
Temple News
2019
Business Courier
Vox Populi (Exhibition)
Vox Populi (Screening)
2017
GO Magazine
2016
purple ART
2015
PACKET
Adult Mag
KCHUNG
Sex-Ed @BHQFU
2014
The Brooklyn Rail
Nocountrycountry on bel-air radio
Labor Day Lectures
2013
artcritical
NOWHERE
Visit article here.

GO Magazine
Seven Minutes In Heaven With Planet Femme’s Chloé Rossetti


November 1, 2017

by Corinne Werder


““The energy of femme is like a song that helps us to remember.”


Welcome to “Seven Minutes in Heaven,” GO Magazine’s interview series that profiles a different queer babe each day, by asking them seven unique (and sometimes random) questions. Get to know the thoughts, feelings, and opinions of the groundbreaking, fierce forces-of-nature in the queer community.


Chloé Rossetti is one of those people that I’m not sure how I became Facebook friends with, but I’m so glad I did. I remember their project “Planet Femme” popping up in my newsfeed and my eyes grew with intrigue. I love all things that explore femme energy, a whole planet? Yes, count me in. Their energy through the digital realm is healing and radically transformative.


Through this interview, I learned so much about Rossetti but also the universe at large. They are filled with knowledge that is accessible and empowering. Keep scrolling for a dose of femme inspiration. It will change your world.

GO Magazine: Who are you and what do you do?


Chloé Rossetti: My name is Chloé Rossetti. I come from Planet Femme: a literal and proverbial location, and a concept that encompasses all of my work to date.


I make performances, plays, films, videos, and texts that affirm life, beyond the one-way pathway of extinction afforded us by capitalism. My work is funny, dark, strange, healing, and perverse, much like nature.


Additionally, I am a Sensual Educator, facilitator, and coach, working under the umbrella of my business, Radical Nourishment.


My latest project, SUNRIDER, is a short film set a few hundred years in the future, after the death of Earth. The few remaining survivors, living in a femme-centric society, sail through space on a terraformed asteroid powered by an AI consciousness called AURORA. SUNRIDER is a sibling project to a novel of the same name.


In all of my work, I respond to the desertification that emerges from unsustainable, colonial approaches to the inseparable entities of mind, body, and earth. Harnessing my experience as a permaculturist, gender hybrid, healer, immigrant, and descendant of stregas, I manifest a vision of humanity as a regenerative presence on earth. The urgent task at hand is to decolonize; expand ecological consciousness; recognize queerness as a harbinger of change; cultivate embodied, optimistic worldbuilding; and celebrate the glory and pitfalls of our current means of communication and translation.

GO: Where do you go for inspiration when you’re feeling discouraged or depleted?


CR: Nature // water // earth // in the arms of one or many loved one/s // dancing // singing // drawing // watching my friends and heroes perform // friends’ houses // my house // nose in a book // art // music // Act-OUT at The Studio every Monday night.


GO: What does femme mean to you?


CR:  I don’t believe in any binary, least of all the femme-masc binary. So “femme” to me is not one half of a binaric system, or even one end of a spectrum: it is the earth beneath the spell of capitalism. People in power would have us believe that we live on Planet Capital; in fact we live on Planet Femme. Planet Femme is earth. Everybody who remembers this returns to Planet Femme. And so the energy of “femme” is like a song that helps us to remember.


GO: Describe yourself in three words.


CR: Sensual; funnydark; nourishment; rulebreaker.



GO: What music are you listening to right now?


CR: L’Rain’s self-titled album, on which I make a cameo appearance(!). This album, I think, is about timely, untimely, and pervasive grief. Taja is a dear friend, and watching her birth this project over the past few years has been a powerful experience.

Planetarium by Bryce Dessner, James McAlister, Nico Muhly, and Sufjan Stevens: “Neptune” in particular has been my grief soundtrack for the past month or so. I’ve also been researching my Neptune transits while listening to this song.

The Feminine: Act II by Anna Wise: I listened to “Coconuts” on my way to see the solar eclipse on Short Mountain in Tennessee, and again in a homestead full of witches in upstate New York. People on the Planet Femme wavelength seem to instantly click with it.

Also everything by my sonic collaborator, Feathers Wise.


GO: Why do you think it’s so important to have queer-centric events and spaces?


CR:  Queerness, to me, means change. It means the death of colonization, and it means ecological futurity. According to these definitions, I think and live in a queer way, and most of my friends do too. Therefore a “queer” space to me is actually a worldbuilding, a world-within-the-world, and a commons, where we can plant the seeds of the new reality in the husks of the old. Nothing is more vital and crucial in this and every moment.



GO: Where can people find you?


CR: Art: chloerossetti.com
Instagram: @chloerossetti
Facebook: Chloé Rossetti
#planetfemme #chloerossetti


Healing: radicalnourishment.earth
Instagram: @radicalnourishment.earth
#radicalnourishment


You can find my latest writings at Luna Luna mag, HuffPost, and The Establishment.


Also, you can find me on Planet Femme. Send me a femme-text (telepathically, please) and I’ll get it.


Visit article here.

GO Magazine
Seven Minutes In Heaven With Planet Femme’s Chloé Rossetti


November 1, 2017

by Corinne Werder


““The energy of femme is like a song that helps us to remember.”


Welcome to “Seven Minutes in Heaven,” GO Magazine’s interview series that profiles a different queer babe each day, by asking them seven unique (and sometimes random) questions. Get to know the thoughts, feelings, and opinions of the groundbreaking, fierce forces-of-nature in the queer community.


Chloé Rossetti is one of those people that I’m not sure how I became Facebook friends with, but I’m so glad I did. I remember their project “Planet Femme” popping up in my newsfeed and my eyes grew with intrigue. I love all things that explore femme energy, a whole planet? Yes, count me in. Their energy through the digital realm is healing and radically transformative.


Through this interview, I learned so much about Rossetti but also the universe at large. They are filled with knowledge that is accessible and empowering. Keep scrolling for a dose of femme inspiration. It will change your world.

GO Magazine: Who are you and what do you do?


Chloé Rossetti: My name is Chloé Rossetti. I come from Planet Femme: a literal and proverbial location, and a concept that encompasses all of my work to date.


I make performances, plays, films, videos, and texts that affirm life, beyond the one-way pathway of extinction afforded us by capitalism. My work is funny, dark, strange, healing, and perverse, much like nature.


Additionally, I am a Sensual Educator, facilitator, and coach, working under the umbrella of my business, Radical Nourishment.


My latest project, SUNRIDER, is a short film set a few hundred years in the future, after the death of Earth. The few remaining survivors, living in a femme-centric society, sail through space on a terraformed asteroid powered by an AI consciousness called AURORA. SUNRIDER is a sibling project to a novel of the same name.


In all of my work, I respond to the desertification that emerges from unsustainable, colonial approaches to the inseparable entities of mind, body, and earth. Harnessing my experience as a permaculturist, gender hybrid, healer, immigrant, and descendant of stregas, I manifest a vision of humanity as a regenerative presence on earth. The urgent task at hand is to decolonize; expand ecological consciousness; recognize queerness as a harbinger of change; cultivate embodied, optimistic worldbuilding; and celebrate the glory and pitfalls of our current means of communication and translation.

GO: Where do you go for inspiration when you’re feeling discouraged or depleted?


CR: Nature // water // earth // in the arms of one or many loved one/s // dancing // singing // drawing // watching my friends and heroes perform // friends’ houses // my house // nose in a book // art // music // Act-OUT at The Studio every Monday night.


GO: What does femme mean to you?


CR:  I don’t believe in any binary, least of all the femme-masc binary. So “femme” to me is not one half of a binaric system, or even one end of a spectrum: it is the earth beneath the spell of capitalism. People in power would have us believe that we live on Planet Capital; in fact we live on Planet Femme. Planet Femme is earth. Everybody who remembers this returns to Planet Femme. And so the energy of “femme” is like a song that helps us to remember.


GO: Describe yourself in three words.


CR: Sensual; funnydark; nourishment; rulebreaker.



GO: What music are you listening to right now?


CR: L’Rain’s self-titled album, on which I make a cameo appearance(!). This album, I think, is about timely, untimely, and pervasive grief. Taja is a dear friend, and watching her birth this project over the past few years has been a powerful experience.

Planetarium by Bryce Dessner, James McAlister, Nico Muhly, and Sufjan Stevens: “Neptune” in particular has been my grief soundtrack for the past month or so. I’ve also been researching my Neptune transits while listening to this song.

The Feminine: Act II by Anna Wise: I listened to “Coconuts” on my way to see the solar eclipse on Short Mountain in Tennessee, and again in a homestead full of witches in upstate New York. People on the Planet Femme wavelength seem to instantly click with it.

Also everything by my sonic collaborator, Feathers Wise.


GO: Why do you think it’s so important to have queer-centric events and spaces?


CR:  Queerness, to me, means change. It means the death of colonization, and it means ecological futurity. According to these definitions, I think and live in a queer way, and most of my friends do too. Therefore a “queer” space to me is actually a worldbuilding, a world-within-the-world, and a commons, where we can plant the seeds of the new reality in the husks of the old. Nothing is more vital and crucial in this and every moment.



GO: Where can people find you?


CR: Art: chloerossetti.com
Instagram: @chloerossetti
Facebook: Chloé Rossetti
#planetfemme #chloerossetti


Healing: radicalnourishment.earth
Instagram: @radicalnourishment.earth
#radicalnourishment


You can find my latest writings at Luna Luna mag, HuffPost, and The Establishment.


Also, you can find me on Planet Femme. Send me a femme-text (telepathically, please) and I’ll get it.