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  • 2024
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  • 2023
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  • Expanding the Parameters of Feminist Artivism
  • Trans Cinematic Universe Podcast
  • World of Rex Podcast
  • Queer Forty
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  • 2021
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  • 2014
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  • Nocountrycountry on bel-air radio
  • Labor Day Lectures
  • 2013
  • artcritical
  • NOWHERE
HALO STARLING
∙ ∙ ∙ ∙ ∙ ∙ ∙
ABOUT
Artist Statement
Bio
CV
Director's Portfolio
Directing Reel
Acting Reel
Community
Links & Contact
∙ ∙ ∙ ∙ ∙ ∙ ∙
CURRENT PROJECTS
Fairy Prince
FILM
Portent Soul
TestoLupron
Dance Dance Resolution
PONY
SUNRIDER
PATRICK
Valentine's Day After
Hold
∙ ∙ ∙ ∙ ∙ ∙ ∙
VIDEO
Your Love is Giving Me Life
The French Chef with Julia Child: Abortifacient Herbs
BE NOT AFRAID
One Made of Light
Plot Points in Our Sexual Development (Excerpt)
aph·ro·dis·i·ac
POLLINATION
Fruitr
VARIETY SHOW
Yellow Mountain Blue
Wait
8 1/2 INCH DICK
Eco Vignettes
Vagina Dentata
∙ ∙ ∙ ∙ ∙ ∙ ∙
LIVE ART
Planet Femme LIVE
GRIEF IN PUBLIC
QUEER in PUBLIC
SENSE
Pleasure Scores
∙ ∙ ∙ ∙ ∙ ∙ ∙
LIVE PERSONAE
Karan Devine
Home Depot
TORMENTRA
Crystal Mermaid
Black-Eyed Susan
Evangeline Dupree
Cleo the Past Teller
Cynthia Reid
Polyperformance
∙ ∙ ∙ ∙ ∙ ∙ ∙
WORLDBUILDING
Planet Femme
The Sagewell Archives
∙ ∙ ∙ ∙ ∙ ∙ ∙
CURATION
WINDOWS AND BLINDS
PONY and Friends
Positive Futures
AUTO ROBO ECO
ASYLUM
UNDER THE SEAMS RUNS THE PAIN
This Literally Happened
∙ ∙ ∙ ∙ ∙ ∙ ∙
FEATURED
2024
USC Libraries
USC Cinematic Arts - iMappening 2024
ARTFORUM
CAA 112th Annual Conference
MA+P Stories - WINDOWS AND BLINDS
2023
Deadline
2am Photography
2022
Expanding the Parameters of Feminist Artivism
Trans Cinematic Universe Podcast
World of Rex Podcast
Queer Forty
GAY.IT
LA Weekly
The Hollywood Times
Out News Global
TRANSlations (Panel)
Women's Screenwriters Workshop (Panel)
2021
Final Draft Blog
TFMA News
Deadline
2020
PGN - Film
PGN - Portraits
cinéSPEAK
Women and Hollywood
Summer Fall
Global Shorts
Temple News
2019
Business Courier
Vox Populi (Exhibition)
Vox Populi (Screening)
2017
GO Magazine
2016
purple ART
2015
PACKET
Adult Mag
KCHUNG
Sex-Ed @BHQFU
2014
The Brooklyn Rail
Nocountrycountry on bel-air radio
Labor Day Lectures
2013
artcritical
NOWHERE
In 2014 and 2015, I was invited as a guest facilitator for Sex-Ed: RESPONSE & RESPONSIBILITY: Spectrums of Consent: On Power & Play (fall 2014), and Sex-Ed: De-Realization (fall 2015), two free art classes at the free art school, BHQFU).

The first session involved activating the pleasure body, and learning about expressing and responding to consent in the body through movement exercises.

The second session focused on physical de-armoring through movement and awareness of pleasure in the body.
Sex­-Ed is centered on the means by which we give and receive pleasure and the ways in which we understand intimacy. This pilot program aims to produce a communication-based, pleasure-oriented, and politically engaged course at BHQFU. 
​​
Monthly workshops will explore concepts relating to sexuality and intimacy. In order to activate a productive and radical sexual discourse, part of each session will be spent workshopping communication structures and developing specific protocols for self-expression and desire.

Workshops will be fun, rigorous, safe, and sexy. Each theme will be an attempt to make sense of—in critical terms—sexual relations on a social or cultural scale. While there will be “theory” involved—and some theories more than others—our approaches will be propelled by the ways in which we can translate concepts into questions, and from questions into practices. How can we orient our sex lives around pleasure and intimacy, rather than capitalist structured patterns of gains and losses? How can we undo not just the structures of domination aimed at our own bodies, but also t​hose aimed at repressing the possibilities between bodies? How can we be more deliberate with one another? And more responsible for one another? 

Visiting guests will include artists, public intellectuals, mothers, and whores.
Ideally, through this program, we hope to have a better idea of how students relate to their sexuality in a group setting as well as how to make communication visible in a classroom. By the end of the sessions, we hope to advance a course—and a practice—that gives everyone an opportunity to imagine the kinds of relationships that live up to their desires across all relationships, and across all desires.

Workshops will take place on the last Thursday of the month. 

1/27: INTRO SESSION : COMMUNITY ACTION CENTER 

2/24: RESPONSE & RESPONSIBILITY: Spectrums of Consent: On Power & Play 

3/31: RELATIONSHIP MODELS: What Does 'Openness' Mean? 

4/28: SEX WORK//WORK & SEX//WORK//SEX: Prostitutes, Professionals, & the Body at Work. 

5/TBD: ORGASMS: Sustaining Release
Intro: 

On the chalkboard: con•sent : "to feel together" 

6:45-7ish: Andrea or one of us passes out name tags for the evening. everyone remembers - and befriends! - the people they touched. 

Intro: Hi, thanks for coming to our second Sex-Ed research session. Tonight Chloé Rossetti will stage two performances that we're going to use as learning games and discussion prompts. This will be a longer session, officially from 7-10, but we hope to address our material and experiences tonight very thoroughly and experientially and in-depth. 3 hours might not contain us - we hope your evening is flexible ! 

We passed out name tags tonight so we can get to know each other and start becoming a community. We were disappointed not to have gotten to know you last time. 

Ask the class: would you like to do a short round of introductions, or jump right into the games and get to know each other that way? (Hand show, majority rules)
Before we play the games, we need to collectively establish an affirmative perspective on everything that happens. We affirm everyones experience - the weird experiences, the uncomfortable ones, the hard ones, the ecstatic ones - and we use one another's experiences to model the ones we all want more of.  At no point are we going to feel ashamed or like failures, or like we did something wrong or felt something wrong. At no point are we going to say, "This should not have happened". We're going to say, "I wanted this to happen instead," or, "I want more of this to happen." We want our space to be structured around our desires not our fears. Everyone's experience matters. 

Ask the class: Does this make sense as a class policy? Do you agree to this? Would you like to include or modify something? Would you like to disagree?
Performances: 

Chloé introduces performance #1.

Sex-Ed: After each performance we will have a short discussion. Keep in mind your idea of response and responsibility. You are responsible for letting your body respond as well as communicating your body's response. You are responsible for listening to and interpreting the physical response of another body. Interpreting also means communicating back. We're not asking you to translate the body's experience into language- as if language were proof of experience or reality- but to notice the relationship between communication and experience as two separate, interlaced dimensions. 

Discussion: 

1. We're going to begin, like we talked about, with affirming experiences. What did you feel? Where? When? If you felt nervous, what in your body communicated to you that you were nervous? Please don't say, "I felt weird/excited/etc." Please say, "I felt a burning sensation in my face that I associate with excitement," or, "I felt tension in my knees that I associate with danger." 
2. How did it feel to be a giver/to be a receiver? What did power feel like here? Play? 

3. How, in the context of Sex-Ed at BHQFU as both a research seminar and class-in-progress, would you find it most helpful to talk about the relationship between giver and receiver, communication and consent, power and play? Is there anything we haven't talked about that you would like to talk about? 

Chloé introduces performance #2.

Discussion follows same as above. 

Final question/break: How did you feel about this session? We will break here, so please feel free to come talk to any of us now, write to us with your thoughts & feelings - do both. 

Added notes - either in a handout or later on FB/online community:

Language is not proof of experience. A consensual — "feeling together" — encounter is established in the body and in physical response. Verbal "consent" exists separately of this experience. Language and experience are non-hierarchal: words don't refer "back" to an experience, but are another element of experience. Language does not prove experience anymore than verbal consent proves it isn't rape. 
In 2014 and 2015, I was invited as a guest facilitator for Sex-Ed: RESPONSE & RESPONSIBILITY: Spectrums of Consent: On Power & Play (fall 2014), and Sex-Ed: De-Realization (fall 2015), two free art classes at the free art school, BHQFU).

The first session involved activating the pleasure body, and learning about expressing and responding to consent in the body through movement exercises.

The second session focused on physical de-armoring through movement and awareness of pleasure in the body.
Sex­-Ed is centered on the means by which we give and receive pleasure and the ways in which we understand intimacy. This pilot program aims to produce a communication-based, pleasure-oriented, and politically engaged course at BHQFU. 
​​
Monthly workshops will explore concepts relating to sexuality and intimacy. In order to activate a productive and radical sexual discourse, part of each session will be spent workshopping communication structures and developing specific protocols for self-expression and desire.

Workshops will be fun, rigorous, safe, and sexy. Each theme will be an attempt to make sense of—in critical terms—sexual relations on a social or cultural scale. While there will be “theory” involved—and some theories more than others—our approaches will be propelled by the ways in which we can translate concepts into questions, and from questions into practices. How can we orient our sex lives around pleasure and intimacy, rather than capitalist structured patterns of gains and losses? How can we undo not just the structures of domination aimed at our own bodies, but also t​hose aimed at repressing the possibilities between bodies? How can we be more deliberate with one another? And more responsible for one another? 

Visiting guests will include artists, public intellectuals, mothers, and whores.
Ideally, through this program, we hope to have a better idea of how students relate to their sexuality in a group setting as well as how to make communication visible in a classroom. By the end of the sessions, we hope to advance a course—and a practice—that gives everyone an opportunity to imagine the kinds of relationships that live up to their desires across all relationships, and across all desires.

Workshops will take place on the last Thursday of the month. 

1/27: INTRO SESSION : COMMUNITY ACTION CENTER 

2/24: RESPONSE & RESPONSIBILITY: Spectrums of Consent: On Power & Play 

3/31: RELATIONSHIP MODELS: What Does 'Openness' Mean? 

4/28: SEX WORK//WORK & SEX//WORK//SEX: Prostitutes, Professionals, & the Body at Work. 

5/TBD: ORGASMS: Sustaining Release
Intro: 

On the chalkboard: con•sent : "to feel together" 

6:45-7ish: Andrea or one of us passes out name tags for the evening. everyone remembers - and befriends! - the people they touched. 

Intro: Hi, thanks for coming to our second Sex-Ed research session. Tonight Chloé Rossetti will stage two performances that we're going to use as learning games and discussion prompts. This will be a longer session, officially from 7-10, but we hope to address our material and experiences tonight very thoroughly and experientially and in-depth. 3 hours might not contain us - we hope your evening is flexible ! 

We passed out name tags tonight so we can get to know each other and start becoming a community. We were disappointed not to have gotten to know you last time. 

Ask the class: would you like to do a short round of introductions, or jump right into the games and get to know each other that way? (Hand show, majority rules)
Before we play the games, we need to collectively establish an affirmative perspective on everything that happens. We affirm everyones experience - the weird experiences, the uncomfortable ones, the hard ones, the ecstatic ones - and we use one another's experiences to model the ones we all want more of.  At no point are we going to feel ashamed or like failures, or like we did something wrong or felt something wrong. At no point are we going to say, "This should not have happened". We're going to say, "I wanted this to happen instead," or, "I want more of this to happen." We want our space to be structured around our desires not our fears. Everyone's experience matters. 

Ask the class: Does this make sense as a class policy? Do you agree to this? Would you like to include or modify something? Would you like to disagree?
Performances: 

Chloé introduces performance #1.

Sex-Ed: After each performance we will have a short discussion. Keep in mind your idea of response and responsibility. You are responsible for letting your body respond as well as communicating your body's response. You are responsible for listening to and interpreting the physical response of another body. Interpreting also means communicating back. We're not asking you to translate the body's experience into language- as if language were proof of experience or reality- but to notice the relationship between communication and experience as two separate, interlaced dimensions. 

Discussion: 

1. We're going to begin, like we talked about, with affirming experiences. What did you feel? Where? When? If you felt nervous, what in your body communicated to you that you were nervous? Please don't say, "I felt weird/excited/etc." Please say, "I felt a burning sensation in my face that I associate with excitement," or, "I felt tension in my knees that I associate with danger." 
2. How did it feel to be a giver/to be a receiver? What did power feel like here? Play? 

3. How, in the context of Sex-Ed at BHQFU as both a research seminar and class-in-progress, would you find it most helpful to talk about the relationship between giver and receiver, communication and consent, power and play? Is there anything we haven't talked about that you would like to talk about? 

Chloé introduces performance #2.

Discussion follows same as above. 

Final question/break: How did you feel about this session? We will break here, so please feel free to come talk to any of us now, write to us with your thoughts & feelings - do both. 

Added notes - either in a handout or later on FB/online community:

Language is not proof of experience. A consensual — "feeling together" — encounter is established in the body and in physical response. Verbal "consent" exists separately of this experience. Language and experience are non-hierarchal: words don't refer "back" to an experience, but are another element of experience. Language does not prove experience anymore than verbal consent proves it isn't rape.