• HALO STARLING
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  • ABOUT
  • Artist Statement
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  • RECENT PROJECTS
  • ARIADNE (2025)
  • YRIA (2025)
  • The Madness of Dionysus (2025)
  • Fairy Prince (2025)
  • Portent Soul (2024–)
  • TestoLupron (2024–)
  • ∙ ∙ ∙ ∙ ∙ ∙ ∙
  • FILM
  • PONY (2022)
  • Valentine's Day After (2020)
  • The French Chef with Julia Child: Abortifacient Herbs (2019)
  • SUNRIDER (2018)
  • Hold (2018)
  • ∙ ∙ ∙ ∙ ∙ ∙ ∙
  • VIDEO
  • Your Love is Giving Me Life (2019)
  • BE NOT AFRAID (2021)
  • One Made of Light (2020)
  • aph·ro·dis·i·ac (2019)
  • POLLINATION (2020)
  • Fruitr (2019)
  • Wait (2017)
  • Eco Vignettes (2013)
  • Vagina Dentata (2012)
  • ∙ ∙ ∙ ∙ ∙ ∙ ∙
  • LIVE ART
  • Planet Femme LIVE (2017)
  • SENSE (2016)
  • Pleasure Scores (2011–2014)
  • ∙ ∙ ∙ ∙ ∙ ∙ ∙
  • LIVE PERSONAE
  • Karan Devine (2014–2015)
  • Home Depot (2015–2016)
  • TORMENTRA (2017)
  • Crystal Mermaid (2014)
  • Black-Eyed Susan (2014–2015)
  • Evangeline Dupree (2014)
  • Cleo the Past Teller (2014–2015)
  • Cynthia Reid (2014)
  • Polyperformance (2014)
  • ∙ ∙ ∙ ∙ ∙ ∙ ∙
  • WORLDBUILDING
  • Planet Femme (2016–2018)
  • The Sagewell Archives (2019)
  • ∙ ∙ ∙ ∙ ∙ ∙ ∙
  • CURATION
  • WINDOWS AND BLINDS (2023)
  • PONY and Friends (2023)
  • Positive Futures (2019)
  • AUTO ROBO ECO (2017)
  • ASYLUM (2015)
  • UNDER THE SEAMS RUNS THE PAIN (2014)
  • This Literally Happened (2014)
  • ∙ ∙ ∙ ∙ ∙ ∙ ∙
  • FEATURED
  • 2025
  • ONE Archives at the USC Libraries
  • Curate LA
  • 2024
  • USC Libraries
  • USC Cinematic Arts - iMappening 2024
  • ARTFORUM
  • CAA 112th Annual Conference
  • MA+P Stories - WINDOWS AND BLINDS
  • 2023
  • Deadline
  • 2am Photography
  • 2022
  • Expanding the Parameters of Feminist Artivism
  • Trans Cinematic Universe Podcast
  • World of Rex Podcast
  • Queer Forty
  • GAY.IT
  • LA Weekly
  • The Hollywood Times
  • Out News Global
  • TRANSlations (Panel)
  • Women's Screenwriters Workshop (Panel)
  • 2021
  • Final Draft Blog
  • TFMA News
  • Deadline
  • 2020
  • PGN - Film
  • PGN - Portraits
  • cinéSPEAK
  • Women and Hollywood
  • Summer Fall
  • Global Shorts
  • Temple News
  • 2019
  • Business Courier
  • Vox Populi (Exhibition)
  • Vox Populi (Screening)
  • 2017
  • GO Magazine
  • 2016
  • purple ART
  • 2015
  • PACKET
  • Adult Mag
  • KCHUNG
  • Sex-Ed @BHQFU
  • 2014
  • The Brooklyn Rail
  • Nocountrycountry on bel-air radio
  • Labor Day Lectures
  • 2013
  • artcritical
  • NOWHERE
HALO STARLING
∙ ∙ ∙ ∙ ∙ ∙ ∙
ABOUT
Artist Statement
Bio
CV
Community
Links & Contact
∙ ∙ ∙ ∙ ∙ ∙ ∙
RECENT PROJECTS
ARIADNE (2025)
YRIA (2025)
The Madness of Dionysus (2025)
Fairy Prince (2025)
Portent Soul (2024–)
TestoLupron (2024–)
∙ ∙ ∙ ∙ ∙ ∙ ∙
FILM
PONY (2022)
Valentine's Day After (2020)
The French Chef with Julia Child: Abortifacient Herbs (2019)
SUNRIDER (2018)
Hold (2018)
∙ ∙ ∙ ∙ ∙ ∙ ∙
VIDEO
BE NOT AFRAID (2021)
POLLINATION (2020)
One Made of Light (2020)
Your Love is Giving Me Life (2019)
aph·ro·dis·i·ac (2019)
Fruitr (2019)
Wait (2017)
Eco Vignettes (2013)
Vagina Dentata (2012)
∙ ∙ ∙ ∙ ∙ ∙ ∙
LIVE ART
Planet Femme LIVE (2017)
SENSE (2016)
Pleasure Scores (2011–2014)
∙ ∙ ∙ ∙ ∙ ∙ ∙
LIVE PERSONAE
TORMENTRA (2017)
Home Depot (2015–2016)
Karan Devine (2014–2015)
Cleo the Past Teller (2014–2015)
Black-Eyed Susan (2014–2015)
Crystal Mermaid (2014)
Evangeline Dupree (2014)
Cynthia Reid (2014)
Polyperformance (2014)
∙ ∙ ∙ ∙ ∙ ∙ ∙
WORLDBUILDING
The Sagewell Archives (2019)
Planet Femme (2016–2018)
∙ ∙ ∙ ∙ ∙ ∙ ∙
CURATION
WINDOWS AND BLINDS (2023)
PONY and Friends (2023)
Positive Futures (2019)
AUTO ROBO ECO (2017)
ASYLUM (2015)
UNDER THE SEAMS RUNS THE PAIN (2014)
This Literally Happened (2014)
∙ ∙ ∙ ∙ ∙ ∙ ∙
FEATURED
2025
ONE Archives at the USC Libraries
Curate LA
2024
USC Libraries
USC Cinematic Arts - iMappening 2024
ARTFORUM
CAA 112th Annual Conference
MA+P Stories - WINDOWS AND BLINDS
2023
Deadline
2am Photography
2022
Expanding the Parameters of Feminist Artivism
Trans Cinematic Universe Podcast
World of Rex Podcast
Queer Forty
GAY.IT
LA Weekly
The Hollywood Times
Out News Global
TRANSlations (Panel)
Women's Screenwriters Workshop (Panel)
2021
Final Draft Blog
TFMA News
Deadline
2020
PGN - Film
PGN - Portraits
cinéSPEAK
Women and Hollywood
Summer Fall
Global Shorts
Temple News
2019
Business Courier
Vox Populi (Exhibition)
Vox Populi (Screening)
2017
GO Magazine
2016
purple ART
2015
PACKET
Adult Mag
KCHUNG
Sex-Ed @BHQFU
2014
The Brooklyn Rail
Nocountrycountry on bel-air radio
Labor Day Lectures
2013
artcritical
NOWHERE

SUNRIDER explores the lives of a group of earth’s survivors, living regenerative lifeways on terraformed asteroid earthships. A refugee AI program forms the godlike embodied consciousness of each earthship. 

On this particular earthship, their name is AURORA. A group of humans, called Sunriders, pilot the earthships by connecting with the AI, while others tend to the complex, interlocking, closed loop ecosystems patchworked arklike over the terrain.

Shot on 35mm on the ARRIFLEX BL4 2Perf camera.

Part of the Planet Femme World.

SUNRIDER explores the lives of a group of earth’s survivors, living regenerative lifeways on terraformed asteroid earthships. A refugee AI program forms the godlike embodied consciousness of each earthship. 

On this particular earthship, their name is AURORA. A group of humans, called Sunriders, pilot the earthships by connecting with the AI, while others tend to the complex, interlocking, closed loop ecosystems patchworked arklike over the terrain.

Shot on 35mm on the ARRIFLEX BL4 2Perf camera.

Part of the Planet Femme World.
"...and so the pilots, called Sunriders, became a conduit between Aurora’s artificial intelligence and their people; those who lived on and tended to the terraformed asteroid earthship, one of six, then five, of their kind. Though in truth the Sunriders were more than mere pilots or messengers in Aurora’s eyes: they were at once their children, parents, doulas, siblings, and lovers..."
—Allen Sagewell, An Account of Aurora and Their People, 2369

SUNRIDER offers a window into “Planet Femme,” my multi-modal speculative fiction world, which currently spans performance, film, video, prose, photography, and cartography. 

In Planet Femme, liberated AIs run a system of terraformed asteroid earthships (asteroids that have been transformed to support human and earth life), where humanity’s survivors live in a world of femme futurity and empathetic technology. With the earthship Aurora as its center, I imagine a world in which humans live a regenerative lifeway atop a series of asteroids in deep space, reclaiming many historical practices of food and material cultivation and distribution. It is my hope that Planet Femme can serve as a vehicle for us to reimagine our path to a life-connected future here on earth.
I wanted to imagine a future in which I, and my comrades, could thrive while being neurodivergent, queer, dis/abled, people of color, historically under-resourced, and so on. I also wanted to imagine a future in which the overculture’s relationship to our planet is no longer one of resource domination and extraction, but rather one of interconnection and ecological regeneration. To me, these two concepts—to exist in our fullness, and to approach nature and future with a giving hand—are inseparable. I am also interested in the decolonization and liberation of modern technology, which so often is created to serve the capitalist machine that will be our undoing. In this future, nature and technology fuse, and humans are able to enter into an empathetic, symbiotic relationship with the machines and AIs that we have borne.

SUNRIDER premiered at Les Femmes Underground International Film Festival in Phoenix, AZ in September 2018, and was featured at a MONO NO AWARE screening at Anthology Film Archives in New York in April 2018. SUNRIDER was also officially selected for Lift'Off's First-Time Filmmaker Sessions, September 2019. SUNRIDER was also part of the screening program for "SUPERHOST" at Like a Little Disaster in Polignano a Mare, Italy, from August 4th - October 15th, 2019. SUNRIDER was also officially selected for The Bush Films' Queer Sci-Fi & Fantasy Short Films screening on August 25th, 2020.


Jax Jackson and Feathers Wise as AURORA. Costumes by Cilium.

SUNRIDER explores the lives of a group of earth’s survivors, living regenerative lifeways on terraformed asteroid earthships. A refugee AI program forms the godlike embodied consciousness of each earthship. 

On this particular earthship, their name is AURORA. A group of humans, called Sunriders, pilot the earthships by connecting with the AI, while others tend to the complex, interlocking, closed loop ecosystems patchworked arklike over the terrain.

Shot on 35mm on the ARRIFLEX BL4 2Perf camera.

Part of the Planet Femme World.
"...and so the pilots, called Sunriders, became a conduit between Aurora’s artificial intelligence and their people; those who lived on and tended to the terraformed asteroid earthship, one of six, then five, of their kind. Though in truth the Sunriders were more than mere pilots or messengers in Aurora’s eyes: they were at once their children, parents, doulas, siblings, and lovers..."
—Allen Sagewell, An Account of Aurora and Their People, 2369

SUNRIDER offers a window into “Planet Femme,” my multi-modal speculative fiction world, which currently spans performance, film, video, prose, photography, and cartography. 

In Planet Femme, liberated AIs run a system of terraformed asteroid earthships (asteroids that have been transformed to support human and earth life), where humanity’s survivors live in a world of femme futurity and empathetic technology. With the earthship Aurora as its center, I imagine a world in which humans live a regenerative lifeway atop a series of asteroids in deep space, reclaiming many historical practices of food and material cultivation and distribution. It is my hope that Planet Femme can serve as a vehicle for us to reimagine our path to a life-connected future here on earth.
I wanted to imagine a future in which I, and my comrades, could thrive while being neurodivergent, queer, dis/abled, people of color, historically under-resourced, and so on. I also wanted to imagine a future in which the overculture’s relationship to our planet is no longer one of resource domination and extraction, but rather one of interconnection and ecological regeneration. To me, these two concepts—to exist in our fullness, and to approach nature and future with a giving hand—are inseparable. I am also interested in the decolonization and liberation of modern technology, which so often is created to serve the capitalist machine that will be our undoing. In this future, nature and technology fuse, and humans are able to enter into an empathetic, symbiotic relationship with the machines and AIs that we have borne.

SUNRIDER premiered at Les Femmes Underground International Film Festival in Phoenix, AZ in September 2018, and was featured at a MONO NO AWARE screening at Anthology Film Archives in New York in April 2018. SUNRIDER was also officially selected for Lift'Off's First-Time Filmmaker Sessions, September 2019. SUNRIDER was also part of the screening program for "SUPERHOST" at Like a Little Disaster in Polignano a Mare, Italy, from August 4th - October 15th, 2019. SUNRIDER was also officially selected for The Bush Films' Queer Sci-Fi & Fantasy Short Films screening on August 25th, 2020.


Jax Jackson and Feathers Wise as AURORA. Costumes by Cilium.